Symbolism

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Norbert, Jean-Antoine. Euphoria and Suffering II. 2016. Oil on canvas. 81 in. x 83 in.

I like to use symbolic images to express my struggles, or more generally, those of society. Euphoria and Suffering I & II, is depicting the id, my desires, and how I was perceiving aggressiveness negatively. The painting expresses my Joy, of course, and the beauty of women and nature.

An ecstatic diver appears in Euphoria and Suffering II oil on canvas, her body framed against a background of blue sky interspersed with soft, white clouds. Her dancer’s limbs are organized, symmetrical. Her back is arched, her head is thrown back. Another shark figures in this picture is menacing, the sharp tip of its nose aimed at the diving woman, its mouth open, hungry…

Norbert, Jean-Antoine. Euphoria and Suffering I. 2016. Oil on canvas. 83 in. x 81 in.

In Euphoria and Suffering I, oil on canvas, 83” x 81” a woman in a crimson dress leap through the air, her legs folded towards her back, her arms raised towards the sky. She smiles, conveying a feeling of victorious joy. On the left side of the painting, a man catapults through space. A shark moves from the left in the direction of the woman.

Euphoria and Suffering I, (Detailed close-up)

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Euphoria and Suffering I, (Detailed close-up)

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Norbert, Jean-Antoine. Joy and the Fear of the Unknown IX. 2018. Oil on canvas. 81 in. x 83 in.

Joy and the fear of the Unknown I, III and IX , are paintings that are talking about taking the leap when an opportunity occurs. So often, I doubt myself when a challenging opportunity occurs, especially when I want to go to the next chapter in my life or bring a project to the next level. 

Because of fear, I put myself into waiting mode and I miss the opportunity! These paintings remind me that yes, it is scary! Though there is beauty in the action of doing something scary, even if I am not aware of it. These paintings help me to just do it!

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Norbert, Jean-Antoine. Joy and the Unknown I. 2018. Oil on canvas. 24 in. x 18 in.

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Norbert, Jean-Antoine. Joy and the Unknown III. 2018. Oil on canvas. 24 in. x 18 in.

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Norbert, Jean-Antoine. Euphoria. 2015. Oil on canvas. 24 in. x 18 in.

Norbert, Jean-Antoine.Black Liberty. 2020. Oil on canvas. 120 in. x 90 in.

“Black Liberty” is a massive mural measuring 120in (304.8 cm) wide by 90in (228.6 cm) high depicting the Statue of Liberty monument in New York, with a fusion of George Floyd's face. The lower part of the painting features a replica of the plaque at the base of the monument, which bears Emma Lazarus' poem “With silent lips, give me your tired, your poor, your huddled masses yearning to breathe free”. Above this plaque, Floyd's last words, “I can't breathe!”, have been spray-painted in graffiti. This painting is a protest against systemic racism, unequal civil rights and the treatment of people of color by the police and other authorities, particularly in the United States, although it exists to some degree in most countries.

Castles.S. (1993), “The systematic ideas of ‘race’, in which phenotypic characteristics (skin color, physical features) were born of European colonialism: from the 15th century onwards, religiously inspired views of the barbarity and inferiority of the indigenous peoples of Africa, Asia and the Americas were created by royalty and used to legitimize invasion, genocide, slavery and exploitation.” .

Today, when a situation is not in our favor, even if it is not justified, we use prejudices such as skin color or physical characteristics to manipulate reality. This has no other purpose than to put us first.

Although we are all spiritual beings with the same spirit or spark within us. With this awareness of having the same thing in us, we can say that we have the same value, the same dignity and the same rights.

That is why the situation in which we currently live, after the death of George Floyd, is a spiritual crisis and the only way out is to consider each human being as a spiritual being with the same value, the same dignity and the same rights. Ref: Castles.S. (1993), Racism: a global analysis, Centre for Multicultural Studies, University of Wollongong, Occasional Paper 28, 1993, 45.

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Norbert, Jean-Antoine. Couple tension I. 2015. Oil on canvas. 62 in. x 62 in.

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Norbert, Jean-Antoine. Life. 2019. Charcoal, Acrylic & White Chalk on toned paper. 24 in. x 18 in.

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Norbert, Jean-Antoine. Roman. 2019. Charcoal, Acrylic & White Chalk on paper. 24 in. x 18 in.

Norbert, Jean-Antoine. Desire III. 2016. Oil on plexiglass. 20.5 in. x 20 in.

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Desire III (detailed close-up)

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Norbert, Jean-Antoine. Impossibility to Sleep Under Pressure. 2015. Oil on canvas. 58 in. x 72 in.

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Norbert, Jean-Antoine. Doppelgänger. 2016. Wax, polyester and wood. 19 in. tall.

This work is about a dream I had 20 years ago where while heading out of my father's room. I opened the doors and found this other me in front of me! He represented all the aspects of me that I was rejecting. I then felt threatened and entered a fight or flee mode towards myself!

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Norbert, Jean-Antoine. Doppelgänger. 2016. Charcoal and white chalk on paper. 17 in. x 18 in.

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