Euphoria and Suffering II, oil on canvas 81%22x83%22.jpg

Euphoria and Suffering II, oil on canvas 81"x83"

A woman in a crimson dress leaps through the air, her legs folded towards her back, her arms raised towards the sky. She is dancing and smiling, conveying a feeling of victorious joy. On the left side of the painting, a man catapults through space. He is cambered backward and raises his left hand toward his face. His eyes are closed and his expression is one of bliss or ecstasy. 

The body language of the two figures transmits joy, bliss, euphoria, and well being, states of mind a person might experience after achieving a personal goal, after taking a leap of faith. 

These paintings are about taking the Leap when an Opportunity occurs. So often, we doubt ourselves when some challenging opportunity occurs. A few seconds of hesitations and then our brain, which is wired to protect us from eventual danger, will come up with all sorts of excuses all valid it seems. But the danger is most often not a physical danger, but more the risk of an Ego bruise... And this is preventing us to achieve the Goals that we have set for ourselves, like to be better at public speaking or having a freelance consulting business beside our day job, etc. This prevents us to grow and to become the best version of ourselves. 

Most of the times, there is no real danger. So if we leap and seize the opportunity then the experience could be pretty amazing. It is this experience that I express in the painting series "Joy and the fear of the unknown" with a black background. Waiting too much to take the leap in makes the leap experience not so much fun and quite anxiogenic, which is expressed by the dark background.

The leap taken without waiting or hesitation, being faithful in one's own capacity to find solutions as they arises, is expressed with a feeling of wonder and bliss in Euphoria and suffering.

Euphoria and suffering I, oil on canvas, 83”x81”

Joy and the fear of the unknown IX-2.jpg

Euphoria and the fear of the unknown IX, oil on canvas, 81"x83"

Euphoria and the fear of the unknown I

Euphoria and the fear of the unknown I

Joy and the Unknown III, Oil on canvas, 24%22x 18” 2500$ .jpg

Euphoria and suffering I, Detail

Desire I, Detail 200-1600.jpg

Euphoria and suffering I, Detail

Joy I, 2015, oil on paper, 18’’x24’’

Euphoria,  Oil on canvas 24%22x18%22, 2500$.jpg

Euphoria,  Oil on canvas 24"x18"

Desire III, Oil on pexiglas,20,5" X 20", 2016

Desire III, detail-1600.jpg

Desire III, detail

Couple tension I, Oil on canvas, 62" X 62", Details

Impossibility to sleep under pressure, oil on canvas, 2015, 58’’x72’’.jpg

Impossibility to sleep under pressure, oil on canvas, 58’’x72’’, 2015

Doppelgänger, wax, polyester and wood.jpg

Doppelgänger, wax, polyester and wood, 2016

This work is about a dream I had 14 years ago where while heading out of my father's room I open the doors and find this other me in front of me! He represented all the aspect of me that I was rejecting. I felt then threatened and enter a fight or flee mode twoards my self!


Doppelgänger, Charcoal and white chalk on paper, 17"x 18" , 2016

Study after F.Bacon, Pope Francis,Print Jiclee Today-2.jpg

Study after F.Bacon, Study after Velázquez's Portrait of Pope Innocent X, Oil on canvas
72”x 58”, 2017, Jean-Antoine Norbert


         This painting is inspired by Francis Bacon’s Study After Velazquez's Portrait of Pope Innocent X, 1953, oil on canvas (60 1/4 x 46 1⁄2”, Des Moines Art Center, Iowa) ( here below). It is a scream against the rise of hatred, violence, and intolerance initiated by the leadership and rhetoric of the Heads of State of so many countries around the world. 
Standing between the Democratic Vice President Joseph Biden (left) and then-Speaker of the House of Representatives, Republican John Boehner (right), Pope Francis (center), identifying polarizing politics as a force fanning the flames of violent national and international division, implored the powerful of Congress and the millions of others tuning in to his speech to refrain from fighting violence and toxic hatred with the same.
On September 24, 2015, Pope Francis gave a speech to the Congress of the United States of America during the Presidency of Barak Obama. (Please find the transcript below)  I modified the original image and made the pontif and John Boehner screaming. Because the speech of the pope was so quiet! Instead, I made them scream, raising the volume of his voice and his message! I feel upset by the situation that the pope is discribing in his speech and Kate Allen, Director of Amnesty International UK, goes in the same direction: “Have we forgotten that human rights protections were created after the mass atrocities of the Second World War as a way of making sure that ‘never again’ actually meant ‘never again’?” Indeed, the Annual report of Amnesty International shows that politicians wielding a toxic, dehumanizing “us vs them” rhetoric are creating a more divided and dangerous world! Whether it is Trump, Orban, Erdoğan, or Duterte, more and more world leaders referring to themselves as “anti-establishment” are wielding a toxic agenda that hounds, scapegoats, and dehumanizes entire groups of people. 
The Pope’s assertions are well founded. For instance, the last two American Presidents, George W. Bush and Barak Obama, made speeches exhorting nations around the globe to join them in ending the use of torture. Ultimately, however, all of these promises remain hollow as the CIA continues to use torture as a means of extracting information!
Hundreds of men and women, disproportionately, people of color, are killed by the police each and every year across the United States. No one knows exactly how many deaths result from these extrajudicial killings because the United States does not maintain statistics, which would be clearly indicting and are indicative of the racist policing policies of a country whose incarceration rate is the highest in the world.
This painting is also a protest against the drastic cuts to the budget for the NEA (National Endowment for the Arts) and the NEH (National Endowment for the Humanities), cuts that withhold critical support for the development of a more peaceful, global culture.


Francis Bacon’s Study After Velazquez's Portrait of Pope Innocent X, 1953, oil on canvas (60 1/4 x 46 1⁄2”, Des Moines Art Center, Iowa).


Diego Velázquez, Portrait of Innocent X, Oil on canvas, 56 in × 47 in, c. 1650, Galleria Doria Pamphilj, Rome